![Shikar 1968 Bollywood Movie | Dharmendra | Asha Parekh | Dharmendra Movie | Classic Movie Box Shikar 1968 Bollywood Movie | Dharmendra | Asha Parekh | Dharmendra Movie | Classic Movie Box](https://i.ytimg.com/vi/-JzqEuu4qpc/maxresdefault.jpg)
Movie: Shikar 1968
FilmCast: Dharmendra, Asha Parekh, Sanjeev Kumar, Ramesh Deo, Helen, Manmohan, Rehman, Bela Bose, Johnny Walker
Singer: Asha Bhosle, Krishna, Lata Mangeshkar, Mahendra Kapoor, Mohammed Rafi
Lyricist: Hasrat Jaipuri
Music Director: Shankarsinh Raghuwanshi, Jaikishan Dayabhai Pankal
Film Director: Atma Ram
Soundtrack:-
Music by Shankar Jaikishan Lyrics by Hasrat Jaipuri
1. "Haae Mere Paas To Aa"
2. "Jabse Laagi Tose Najariya"
3. "Main Albeli Pyar Jata Kar"
4. "Mere Sarkar Meri Aahon Ka Asar Dekh"
5. "Parde Mein Rahne Do"
6. "Shikar Karne Ko Aaye (Tumhare Pyaar Mein Ham Beqaraar)"
Plot:-
Manager Ajay Singh finds out that a man by the name of Naresh is murdered and informs police inspector Rai, but all the evidence is tampered with at the crime scene and as a result the murderer becomes difficult to trace. From here on, Ajay's life takes a new turn in trying to find the culprit who has murdered Naresh. In the process he meets a young woman, Kiran, whom Ajay had seen at the murder spot with the murder weapon. She is the daughter of a respectable person. Next time he sees her at the stage dancing on ,'parde me rahne do parda na uthaao' and she has some crucial evidence that might lead Ajay to the culprit who has murdered alcoholic and womanizer Naresh.
After all the melodrama of the recent Hindi films I’ve been watching, I decided it was time to sit back and enjoy one of my favourite genres: the thriller. And a thriller the way only the Bollywood of the 1950’s and 60’s could manage: with lots of romance thrown in, a gorgeously vampish Helen, hummable songs, a comic side plot starring none other than the inimitable Johnny Walker—and, interestingly enough, a supporting actor who manages to steal the limelight from the hero.
Naresh (Ramesh Deo) is a wealthy bachelor who owns the Timli Forest Estate, somewhere in the Himalayan foothills. Timli’s manager, Ajay Singh (Dharmendra) is also a good friend of Naresh’s. One day—shortly after Ajay’s killed a tiger that mauled a local woman—Naresh tells Ajay he’s made his will, leaving all his wealth to an aunt who lives in Africa. Naresh’s secretary Veera (Helen) is in the office too, looking at some files.
While they’re talking, Naresh reads a letter he’s received; he burns the letter but throws the envelope into the wastepaper basket, and Veera takes away the basket to be cleared. She comes by later to tell Naresh she’s leaving for the day. But before going, she surreptitiously places the envelope—which she’s retrieved from the wastepaper basket—in a book in the office library. She doesn’t realise that Naresh is watching her all the while.
That night, the local tribals celebrate the killing of the maneater with much dancing and drumming. It starts raining, and what with all the din, Ajay wakes up—just in time to see a jeep come careening down his driveway, crash into a tree and topple over. He dashes out and finds only one occupant, now unconscious: a beautiful girl (Asha Parekh), whom he picks up and takes into his house.
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